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Syntrillium Software was founded in the early 1990s by Robert Ellison and David Johnston, both former Microsoft employees. Originally developed by Syntrillium as Cool Edit, the program was distributed as crippleware for Windows computers. The full version was useful and flexible, particularly for its time.[according to whom?] Syntrillium later released Cool Edit Pro, which added the capability to work with multiple tracks as well as other features. Audio processing, however, was done in a destructive manner (at the time, most computers were not powerful enough in terms of processor performance and memory capacity to perform non-destructive operations in real-time). Cool Edit Pro v2 added support for real-time non-destructive processing, and v2.1 added support for surround sound mixing and unlimited simultaneous tracks (up to the limit imposed by the computer hardware). Cool Edit also included plugins such as noise reduction and FFT equalization.
Audition 4, also known as Audition CS5.5, was released on April 11, 2011, as part of Adobe Creative Suite. Audition 4 was shipped as part of the Adobe Creative Suite 5.5 Master Collection and Adobe Creative Suite 5.5 Production Premium, replacing the discontinued Adobe Soundbooth. Audition 4 was also made available as a standalone product. Enhanced integration with Adobe Premiere Pro allowed editing of multitrack Premiere projects, and users of third-party software were served by the introduction of OMF- and XML-based import-export functions. Other new features included improved 5.1 multichannel support, new effects (DeHummer, DeEsser, Speech Volume Leveler, and Surround Reverb), a history panel, faster and fully supported real-time FFT analysis, and a new audio engine (more reliable and faster) for non-ASIO devices.
Adobe Audition 8 was released in June 2015 with the name Adobe Audition CC 2015. This release offered Dynamic Link video streaming which enabled Audition to display a Premiere Pro project sequence as a video stream at full resolution and frame rate and with all effects, without needing to render to disk. Other features included support for displaying that video content on an external display, scheduled recording, customization of level meter crossover values, automatic session backup, automatic storage of assets alongside session files, import/export of markers, options to relink media, and the addition of Brazilian Portuguese language support. The 8.1 update in the fall of 2015 first unveiled Remix which could analyze a music track and recompose it to a different duration, tools for generating speech based on the OS text-to-speech voice libraries, new options for ITU-based loudness conformation, and the ability to expand and create custom functionality and integration with the Adobe Content Extensibility Platform (CEP) panel support. This update also removed "Upload to Soundcloud" support as the API had been abandoned by SoundCloud and was no longer functional.
For this review, Adobe provided Propeller-heads Reason to demo the new ReWire support in 1.5. ReWire allows multiple programs to communicate with one another and stream full-resolution data in real time. There is a new ReWire tab under Device Properties that, once enabled, feeds the outputs of ReWire to an input in Audition 1.5. During my ReWire session, synchronization was constant between Reason and Audition 1.5, regardless of which transport I used.
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